Tuesday, July 31, 2012

In praise of books


Kindles, iPads, Nooks, e-readers on smartphones and tablets. I get it. How we access print is changing. Maybe it's me being old-fashioned, but I still love books. I love the feel of them in my hands, I love to be able to annotate their pages, I love that I don't have to worry about them running out of battery power, and I even love it when a previous owner left her or his own markings in one (as long as it doesn't obscure my ability to read it).

To wit (with apologies to Rogers & Hammerstein):
There is nothin' like a book
Nothin' in the world
There's nowhere you can look
That is anythin' like a book

I think Michael Belding would agree with me (click here).

Friday, July 27, 2012

The lost art of letter writing


Last night I was reading from Kerouac and the Beats (1988, edited by Arthur and Kit Knight and published by Paragon House, NY), and the last four entries I read were letters. The first was from Jack Kerouac to Allen Ginsberg on May 10, 1952. The second was from Jack to John Clellon Holmes on June 17 or 15 or 21,  1952. The third was from Jack to Neal Cassady in early April 1955. The fourth entry consisted of a letter from Jack to Holmes on June 23, 1957, and a reply from Holmes on February  26, 1968.

Some things strike me about such letters. First, they were a critical means of communication for the Beat writers at the time. Phone calls would have been expensive and, besides, Jack et al. were often living in situations where they had no easy access to a phone. Yes, there were phone booths in the 1950s, but one or the other party had to be at a particular phone at a particular time in order to make a connection. Plus it cost money, something they often didn't have. Second, the letters reflect the reality that these were friends communicating not just across distance but across time as well. In his 1958 reply to Jack's1957 letter (8 months later!), Holmes starts the letter saying,
Again I find myself in the position of not knowing where the hell you are, and having lost or mislaid all addresses but for some that must certainly be out of date, and so having to rely on Viking to forward this, despite the fact that Grove Press might have a better idea where you actually are.
Third, these are incredible letters in terms of content. They go on for pages, touching on everything from mundane current events to mystical ponderings and sometimes including poetry. Accordingly, they provide important historical information as well as insights into the personas of the Beat writers.

I've written about this before (for example, The Selected Letters of Allen Ginsberg and Gary Snyder), but in case you missed my earlier admonitions, I wanted to take an opportunity to commend such reading as part of your Beat education. If you're a Kerouac fan, I have no doubt that you would thoroughly enjoy reading the letters of the Beat writers.

Finally, and fourthly, the last thing to strike me was the dearth of letter writing occurring today. There is something special about writing a letter to a friend, versus sending an e-mail. E-mail seems so ephemeral, whereas letter-writing has an aspect (imaginary, of course) of permanence. Writing a letter to a friend is a commitment. Zapping off an e-mail doesn't have the same gravitas.

I correspond routinely with two friends, one in New York State and one in California. I look forward to their letters and they mine (so they tell me), and it just seems like we say things in letters that just don't get said in other communication mediums.

Your Kerouaction for this day is to take pen and paper in hand and write a letter to a friend. I bet something pretty wonderful will happen as a result.

Tuesday, July 24, 2012

Tickets to world premiere of Kerouac play go on sale July 26

The Merrimack Repertory Theatre and the University of Massachusetts Lowell have announced that tickets for the world premiere staged reading of Jack Kerouac’s “Beat Generation” will go on sale Thursday, July 26 at noon. Tickets start at $40 and can be purchased at MRT.org or by calling the MRT box office at 978-654-4678. The centerpiece of the 2012 Jack Kerouac Literary Festival, “Beat Generation” runs for eight performances only Oct. 10 through Oct. 14. “Beat Generation” will be performed in MRT’s intimate, newly renovated 279-seat theater. Order early - only a limited number of tickets will be available to this once-in-a-lifetime literary event.

If, like me, you will be attending the 2012 Jack Kerouac Literary Festival (or Lowell Celebrates Kerouac), this is a must-attend event. Click here for more information.

Monday, July 23, 2012

Jack Kerouac and U.S. Route 6


Jack Kerouac's famous false start in On The Road is recounted in this HuffPo article by Malerie Yohen-Cohen. I'm not convinced, as the author suggests, that Kerouac is responsible for Route 6 being ignored because of his bad experience trying to hitchhike on Route 6 near Bear Mountain Bridge (search for Bear Mountain, NY with Google Maps and you'll see the bridge crossing the Hudson River). Besides, she is hawking her book and what better way to get attention for a travel book than to throw in a Kerouac reference?

Regardless, I grew up in a little Pennsylvania town - Wellsboro - situated directly on Route 6, and you can practically drive (or hitchhike) the entire breadth of the United States on this one road. Currently, it seems that its eastern terminus is Provincetown, Massachusetts and its western terminus (once in Long Beach) is Bishop, California (according to this website). Google Maps seems to confirm these terminal points.

I know the general terrain Jack was hitchhiking through near Bear Mountain, and in a torrential downpour/thunderstorm, it could be foreboding indeed. Too bad he didn't stick to his plan and stop in my hometown, but here's what we're left with in Jack's own words:
It was my dream that screwed up, the stupid hearthside idea that it would be wonderful to follow one great red line across America instead of trying various roads and routes.
Sounds like a Kerouaction-in-waiting to me: hitchhike or drive across the entire U.S. on Route 6. Throw Malerie's book - Stay On Route 6; Your Guide to All 3,652 Miles of Transcontinental US Route 6 - in your rucksack for the trip along with your salami sandwiches and jar of Cheez Whiz.

Happy travels. And say hi to my friends in Wellsboro on your way through.

Monday, July 16, 2012

No matter what you write, someone will hate it

No matter what you write, someone will hate it. Click here for proof.

I actually laughed out loud at the ones for Mrs. Dalloway and The Sun Also Rises.

Not so much at the review of On The Road. 

A poem about Jack Kerouac


I found this poem about Jack Kerouac quite on target with many of my own feelings and thought I'd share it with Daily Beat Sisters and Brothers. It's written by Jack Caseros, a Canadian writer and ecologist. I learned about it on the Jack Kerouac Facebook page (which you should join if you have not already done so).