I just learned that a long-time close friend of mine, Tom Hoover, died yesterday. We became friends in high school, both being in band and playing trumpet. I looked up to him as a role model (he was a year ahead of me in school). I'll always remember his shenanigans at band camp in the summer. Tom and I and Dave Fisher and Jim RJ Dunham and Karl Frantz et al. lifted weights together in the basement of the Penn Wells Motel for years way before it was even a generally acceptable practice. Tom always outdid everyone. I don't talk about this much, but I more or less followed him to college, Lock Haven, to major in physical education. His going there for that major played a big role in my decision. He left before I got there and went in the Army. I still have a card he sent me right before he got out of the Army and signed it, "Happy Tom." In 1978 or so we were both living in Wellsboro and we started playing bluegrass together in a band called Cold Spring with Steve Belcher and Danny Shipe. That band morphed into North Fork, which stayed together with Tom and me and Bob Rubin as a core for over 25 years. Over those years Tom inspired me to learn to play the guitar. I never would have played out solo without his inspiration. Indeed, anything decent I play on the guitar is directly from Tom's playing. And my guitar is Tom's old 1973 D-28 that I bought from him when I was first learning to play when I lived in Mansfield. The case still has all the stickers on it he put there (I'm looking at it through misty eyes as I type this). When I was heating our old farmhouse with wood and Jason Dale was just a glint in my eye, Tom and his dad Ray and I cut a shitload of firewood on state forest lands and brought it out in Ray's old Dodge Powerwagon. Suffice to say, a lot of who I am today is directly related to being friends with Tom, and while we didn't stay in touch much after he moved away except for the occasional e-mail, I've always considered him one of my closest and dearest friends. I miss him already and the news hasn't even sunk in yet. RIP, brother. You're out of pain now but the world is a lesser place.
You could say that Tom was my Neal Cassady, as I shambled after him like a dingledodie from the time I met him in high school.
But I titled this piece "Kerouac: On Death," so what gives there? Well, as any true Kerouac fan knows, Jack was obsessed with death. The deaths of his older brother, Gerard, and of his father, Leo, had a great impact on Jack and he wrote about both in his novels. He wrote an entire novel as an homage to Gerard titled, Visions of Gerard, and started his opus, On The Road, with the words, "I first met Neal not long after my father died...." (scroll edition, not the classic).
Then there's this famous passage from Visions of Cody (you know, the passage Jack read on the Steve Allen show while appearing to read from On The Road):
I'm writing this book because we're all going to die--In the loneliness of my life, my father dead, my brother dead, my mother faraway, my sister and my wife far away, nothing here but my own tragic hands that once were guarded by a world, a sweet attention, that now are left to guide and disappear their own way into the common dark of all our death, sleeping in me raw bed, alone and stupid: with just this one pride and consolation: my heart broke in the general despair and opened up inwards to the Lord, I made a supplication in this dream. (Visions of Cody, Penguin, p. 368)Speaking of religion, Jack's Catholic roots and Buddhist studies certainly influenced his views on death, but I've run out of time for more thoughts today. Suffice to say that Jack Kerouac was no stranger to death or to thinking and writing about it. In beautiful ways. To wit, here's an oft-quoted passage and one that gives me comfort when I think of my friend, Tom. It's from the 211th Chorus of Mexico City Blues:
I wish I was free
of that slaving meat wheel
and safe in heaven dead.