Day 37 Kerouaction: On Pick-Up Lines

The below passage from On The Road contains the quintessential beat pick-up line: "What do you want out of life?" Jack even uses it again later in the novel (a gold star if a Daily Beat reader can identify the passage).



In The Beat Handbook: 100 Days of Kerouactions, I describe the two purposes behind this question. You'll have to buy, borrow, or steal my book to see what I think they are.



Tomorrow: On Courting.

Day 36 Kerouaction: On Bars

Day 36 in The Beat Handbook: 100 Days of Kerouactions references the below passage from On The Road.


This passage points out an important aspect of bar etiquette. Many local bars are frequented by "regulars," who may or may not be too friendly to new faces ("tourists," as Jack refers to them). If you're lucky enough to become a regular somewhere (and the exact process for doing that - if it is even possible - varies from bar to bar), I hope you'll remember that you weren't always a regular, and maybe you'll choose to be compassionate toward newbies.

As with everything, it's up to you.

Day 35 Kerouaction: On Parties

As described on Day 35 in The Beat Handbook: 100 Days of Kerouactions, which references the above passage from On The Road, if you want to party the beat way you only need three things:

1) The opposite sex
2) Booze
3) Simple food

Drugs are optional, of course. Interestingly, you can dance without music, so there's no need for iPods and the like.

With party preparations this simple, you can concentrate on important things like interacting with other human beings!

Day 34 Kerouaction: On Wow!

Jack Kerouac uses a variety of interjections in his work, some of which are not in the dictionary, making them "neologisms" (a word you can look up). In the above passage (discussed on Day 34 in The Beat Handbook: 100 Days of Kerouactions), Jack (Sal) has only one word for the situation: "Wow!" This is an interjection meaning "an exclamation of surprise, wonder, pleasure, or the like" (Dictionary.com).

However, he is also known to use "Yair!" This isn't in the dictionary, but in beat lingo it is used as an emphatic "Yes!" I suggest you start using it.

Another beat interjection that's not defined in the dictionary is "Yass." It's often used twice in a rows, as in "Yass! Yass!" I suggest you start using this word as well.*

What other beat interjections can you identify from Jack's works? If you find some, please let me know in a comment or via e-mail to thebeathandbook at gmail dot com. Include the source if it pleases.

Yair!



* Note that neither yair nor yass are in The Beat Generation Dictionary which I salvaged from on-line extermination.

Tomorrow: On Parties.

Day 33 Kerouaction: On Taking Action

I have long held the position that the things we'll really regret in life are the things we didn't do, versus the things we did. I arrived at this conclusion experientially, and don't remember ever reading about the concept. Synchronistically, just yesterday I ran across this quote:

"Regret for the things we did can be tempered by time; it is regret for the things we did not do that is inconsolable."
~Sydney J. Harris

The source of this quote is BrainyQuote, which I can't vouch for, and as best I can tell, Sydney J. Harris was a Chicago-based journalist.

In the below passage from On The Road, Jack Kerouac describes his elation at his success in making it to Longmont, Colorado, close to his goal of Denver.


Jack's elation is infectious. "Damn! damn! damn! I'm making it!" Wouldn't you love to have something to yell that about?

William Blake said, "Better to strangle an infant in its cradle than nurse unacted desires." Goethe said:

Until one is committed, there is hesitancy, the chance to draw back-- Concerning all acts of initiative (and creation), there is one elementary truth that ignorance of which kills countless ideas and splendid plans: that the moment one definitely commits oneself, then Providence moves too. All sorts of things occur to help one that would never otherwise have occurred. A whole stream of events issues from the decision, raising in one's favor all manner of unforeseen incidents and meetings and material assistance, which no man could have dreamed would have come his way. Whatever you can do, or dream you can do, begin it. Boldness has genius, power, and magic in it. Begin it now.

If you desire to do something, do it! (I would caution you here to heed the Wiccan motto, "And it harm no one, do what thou wilt.") You have choices. Always. You can't stand your job? Quit. Your husband cheats on you? Leave him. You're tired of shoveling snow where you live? Move.

Here come the excuses. I can hear them now. "I can't quit my job because I have to support my family." My friends, there is only one thing you have to do: die. Everything else is a choice. It would be much more empowering to say, "I am choosing to stay in this job I can't stand because it meets my need to support my family." At least that way you're not a sniveling, disempowered mess. But the bottom line is this: You don't have to stay in your job because you don't have to support your family. That is just a story you are telling yourself. I'm suggesting that it is an unhealthy story. It makes you a pawn. Take your power back! Recognize that you make choices! If you stay in a job you can't stand, it's a choice! You've decided that it's the best strategy for meeting your needs at this point. But it's not a have to.

Are you about to graduate from high school and your parents are making you go to college? Bullshit. No one can make you go to college. No one can make you do anything. If your dream is to put on a rucksack and head out the door for San Francisco with $70 in your pocket (like Beat Hero #1, Travis Tribble), do it!

Have you been writing poetry and everyone tells you it's a waste of time so you hide it away and never share it with others? Post a poem at dVerse Poets on Open Link Night (each Tuesday). You'll get all kinds of feedback from other poets and you can give other poets feedback as well. No one can make you hide your poetry. If your dream is to be a poet, do it!

It's starting to sound like a Nike commercial up in here. Just do it! Take action. Take a risk. Dare to live your dream. What's the worst that can happen? Failure? So what? You'll learn through failure, and you'll have experiences, and meet people, and go places you've never been.

I self-published my Kerouac-obsessed book, The Beat Handbook: 100 Days of Kerouactions because I got about 20 rejections from publishers. It's been an epic fail where selling it is concerned. Would I do it again? Absolutely. Because of writing my book, I've read with David Amram backing me up on keyboards, I've interviewed Jack Kerouac's lover Helen Weaver, I've sent books all over the world, I receive free books in the mail from City Lights for my review, and I routinely meet interesting "mad to live" characters through this blog. I took an action and I'm damn glad I did it, just like Jack in making it to Colorado on his way to Denver.

Whatever your dreams, take action. Now. Then somewhere along your own road you'll be able to yell, "Damn! damn! damn! I'm making it!"

Amen.

Newly discovered Kerouac blog

Click here for a Kerouac blog by John J. Dorfner that I just discovered. I dig it and think you will, too.

Day 32 Kerouaction: On the Rules of the Road

The above passage from On The Road is the subject of Day 32 in The Beat Handbook: 100 Days of Kerouactions. It's titled, "On the Rules of the Road."

A lot can be gleaned from this short passage.

When you are "on the road," keep these suggestions in mind:

1) Keep moving. Don't dawdle for long in one place. Remember that it's the journey that matters, not the destination. As Jack advises, Go go go! But don't forget to smell the roses all along the way. Alan Watts teaches about this in this great clip from the South Park creators.

2) Save some money for later in the trip, despite the temptation to blow it all in order to "make" someone as Jack (Sal) did. Hide a $20 bill somewhere in your purse or wallet and try to forget it's there. You'll remember it when things get desperate.

3) If you're going to spend time trying to "make" someone, avoid the sullen types. Better to go without. In this case, do as Jack said, not as Jack did. Stick with the "mad ones . . . ."

Jack had the uncanny ability to pack a lot into very few words, yet he was prolific. That's a reason why Tana Wojczuk, in her excellent essay, concludes by saying she is a student of Jack Kerouac whether she likes it or not because "all roads lead to him."